“In Emily Koh’s implodex!!, the musicians surrounded the audience members on all sides of the performance space. Unorthodox spatial designs often come off as gimmicky, but Koh’s setup was effective: By necessity, the players conducted each other, mirroring the system of the sculpture, in which each piece is equally important to the whole. Oboist Thomas Nugent, in particular, played with beautiful tone on his virtuoso flourishes and multiphonics.”

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