Read the full review of the concert here, by Dr Chang Tou Liang!

Works for larger ensemble with a more modern persuasion occupied the concert’s second half. Emily Koh’s Resonate was originally conceived for Chinese ensemble and western wind ensemble to represent a confluence of  eastern and western musical cultures. Inflexions from Singlish, Mandarin and Teochew dialect, lots of portamenti, slides and slurs, were incorporated into this intoxicating blend. Piquant winds stood out amid the throng, including the dizisheng, and to cap it all Jacky Ng’s sonorous suona.”