“Emily Koh’s beautifully eerie “circum perceptio”, built in layers of delicate string, piano and woodwind timbres, was another highlight of the Signal program.”
THE NEW YORK TIMES, JUNE 6 2010
“Emily Koh’s beautifully eerie “circum perceptio”, built in layers of delicate string, piano and woodwind timbres, was another highlight of the Signal program.”